Released: October 29th, 2013
Genre: Progressive, Metal
Genre: Progressive, Metal
Sounds Like: Dillinger Escape Plan
Label: Unsigned
Number of Tracks: 11
Overall Rating: 8/10
'Without
a word uttered a comparison is drawn.' - track 1, Clarity. This
sums up PtH. Fortress and Kezia were great albums, so when a
new release comes out; there's your benchmark. Does Volition live up
to the previous work? Almost. Yes. Sort of. It's hard to say, really.
It's an unmistakably PtHesque album, but it is also something
different, a genuine step forward. Protest the Hero have always been
an interesting band. Technical and intricate, the diverse vocal
styles and lyrical content of their previous works have
differentiated them from similar bands. So how does Volition hold up
against what we already know about PtH?
The
album does not shy away from technicality, this is first truly
evident during track 3 – Tilting Against Windmills. This track
features the trademark impressive guitar work we've come accustomed
to from PtH and similarly impressive and polished vocals and it makes
a good snapshot of the album. It's interesting to consider that in
style, each album is relatively similar but at the same time they
carry their own unique feel. It's easy to differentiate Heretics &
Killers, Sequoia Throne, Hair-Trigger and Plato's Tripartite, but
each song is easily identifiable as Protest the Hero and it's just as
easy to differentiate between each album. On that, Volition does
manage to have it's own feel whilst keeping the quintessentially PtH
sound that fans have become accustomed to. It would be hard to
imagine a track like Drumhead Trial appearing on Scurrilous.
The
lyrical themes of the album are diverse, arguably even more so than
previously. You can't really talk about this without mentioning track
9 – Underbite, which is a song that calls into question the
motivation of bands and the relationship between a band and their fan
base becoming disillusioned and the video (which can be found
underneath this paragraph, check it out – it's brilliant) pokes fun
at merchandise and references lip-synching. This is a particular high
on the album and stands up well, especially in context of the video.
One
negative point is that there is almost no bass in this album. On
Fortress in particular the bass is normally very noticeable and
typically excellent, but on this album it seems held back far too
much. It's not completely absent, indeed there are a few brief
highlights in Clarity and the final track Skies, where the bass is
indeed noticeable but for the most part it is woefully
under-emphasised.
To
conclude, Volition is a pretty solid effort. It is a step forward in
the genre and for the band. If you liked PtH's previous works, then
you will adore this album. If you haven't heard of the band before
then this is probably as good a place as any to start when it comes
to listening to them, it offers a lot to existing fans and new fans
alike.
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